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Originally Posted by MacCool Of course. Artistic vision starts in the field but it doesn't end there for images that are important to the shooter. And if one is going
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For a professional fotog, it really depends on what you're shooting. Some sports photographers for example, need the speed without slowing down the buffer. In a setting like fashion or portraits, shooting RAW is the obvious choice. It's a controlled setting and large file sizes isn't as much of an issue. I shoot mostly in jpeg because for me, it's good enough. I'm not a pro, an artist, a seasoned vet, nor claim to know everything about this field. I wasn't even alive in the 70's. This is just a hobby to me. The closest my images will ever come to a gallery is my hallway... and I'm fine with that.
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I simply don't share your view that it's some kind of crutch used as a means of correcting poor shooting technique. I don't buy the concept of turning over the final image quality to some Nikon engineer's algorithm that reflects his concept of what my images should look like. I understand your point of view...I just don't agree with it. |
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You speak as if in-camera image processing to get JPEGs is the major component of a quality camera. Yikes! There's a huge difference between trusting the construction, the sensor (the major expense component), metering, autofocus, and trusting the JPEG image processing firmware. Surely you must see that.
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One buys a $5000 camera for the engineering execution I mentioned above (construction, sensor, metering, autofocus), not the JPEG image processing firmware.
Perhaps we can put this to rest by just saying that this is all just my opinion. Yours may be different. I have no problem with that...in the end, the OP will have to draw his own conclusions from the discussions. Last edited by MacCool; 06-03-2012 at 10:29 AM. |
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So you're saying who whole heartedly trust the engineering the went into the construction, sensor, metering, autofocus...but there's no way you trust the engineering the goes into the software.....hmmm okay.
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