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Personally, the RAW vs. JPEG debate is kind of silly. They both have their advantages and for the most part a jpeg image can be good enough for certain projects. I tend to shoot more JPEG than RAW in some instances, because processing RAW can be a bit more time consuming. It really depends on the shoot. For family events that will only really see Facebook, shooting RAW is overkill. Your results will be the same as shooting jpeg, but with more work. You don't need the extra dynamic range and white balance data if your shot is pretty close to what you want. JPEG has more than enough data for minor tweaks.
For a professional shoot or stuff you want to end up in your portfolio though, it's worth it to shoot RAW because you want as much image data as possible. It's all about time and money management. It would be more expensive to do a re-shoot for fashion for example, whereas it wouldn't really matter much for snapshots of your company picnic. It's a bit silly to take sides. Some people swear by RAW, others swear by jpeg. Until cameras can handle large, lossless RAW files without breaking a sweat, there will always be a place for a compressed jpeg file. I wouldn't be surprised if something new comes around to replace both in the near future. Lossless data with the ease of jpeg. Just think, we use to think 6 megapixel jpeg files were insanely huge at one point, but technology has allowed for cameras and computers to handle them with ease. |
If you know what you want to achieve in regards to color, noise, sharpness, etc, before you shoot, there is no "need" for RAW. For instance, when I shoot a car, I know my white balance is correct, I control the lighting with either my lights, and I can shoot 100 ISO, therefore I only shoot in JPEG. But, last night, I shot a concert in a bar and the lights were dim, unevenly colored, and very unevenly directed. Even using my primes @ ~f/2, I knew I had to crank the ISO up around 2000 to 3200 to shoot handheld, so I shot RAW. This way I can go in later and apply my noise correction and make subtle color balance changes in RAW. If I were to do this in Photoshop with a JPEG (at least with the resources available to me), It'd likely create artifacting and hurt the image quality, which is already less than I wanted due to the high ISO. I'll post some when I finish them.
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Since I run all of my images through Lightroom, I have the option to adjust anything... or not. But at least I have more options and control available if I decide to do something with the image. If it's really just snapshots, something that I'm going to share untouched in a small size, or stuff I'll give away to someone who doesn't possess software that can process RAW, or it will need to be viewed on their computer (such as snapping at a friend's picnic), I'll set my camera to RAW + JPEG Small. It doesn't really take that much extra space on the card. They can have the files they need to post on Facebook and just in case there's something good on there, I'll still have a file I can work with. There was a time when my 6mp 10D was a pretty bad-a$$ camera :rofl2: |
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The Deltawing at COTA. Probably compressed thanks to Photobucket.
http://i7.photobucket.com/albums/y29...ps03e4388d.jpg |
So I haven't told the wife yet but I bought a new macro lens today ... a Canon 100mm 1:1 with USM AF, the works. I took some pictures at the rose garden after the rain this afternoon.
http://i1313.photobucket.com/albums/...ps4e5f6ad4.jpg |
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Okay, well I told her about this morning. She wasn't too surprised. I've been softening her up for it for a month or so, telling her I was looking at lenses and thinking about buying one pretty soon. We can afford a few luxuries at this point.
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My favorite from the ALMS/WEC Friday practice.
http://farm4.staticflickr.com/3758/9...67dcde46_b.jpg 1379804853187 by pandahouse, on Flickr |
not bad Pint
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It's a nice looking camera. Pretty equivalent to the canon 60d I'm using except it's a step up in no. of pixels and has a lot more focus points. Fortunately we don't get into that competitive thing at home where if I buy something pricey she goes out and buys herself something too. That can leave you broke.
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Also, I usually go with refurbished gear from Nikon and shop at Cameta.com or B&H if they have it in stock. They're pretty indistinguishable from new and a few hundred dollars cheaper. Cameta Camera has a 1 year warranty included (6 months from Nikon/6 months from Cameta). Not bad if you ask me. It really depends on your budget. If you're looking to save a few bucks and stick with a DX sensor, even the D7000 is worth looking into. A new one now runs about $900...$700 for a refurbished. That leaves a lot left for some quality lenses. D7100 runs about $1,050 refurbished ($100 less than new). .....while the D600 runs $1,550 refurbished...about $400 more than a brand new D7100. There isn't a huge difference in image quality between the D7000 and D7100, even with the updated EXPEED 3 processing engine. I've tried both and they're pretty identical to be honest. You need to have each pic side by side @150% magnification to tell them apart. Even then, it's only slightly sharper. You get more megapixels with the D7100, but it doesn't mean much in actual use. 16mp is more than plenty. You get a better AF system with the D7100, but again, that too is only a marginal difference in actual use. It wasn't worth it for me to upgrade from a D7000. FX or a pro level DX is the logical next step. As always, you usually see more profound results by getting better glass....not always with a better body. |
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The D600 is basically a full frame sensor version of the D7000/D7100. It's a separate line. The D*000 series goes from consumer to pro-sumer. The D*00 line is more towards professional use with the D600 being the "entry" level professional camera. There are several rumors out there. One being the introduction of the D400 DX format pro camera and an update to the D600 FX format camera. Though few and far between, crop sensors still have a valid argument for pros....though it's likely not the case in the near future. |
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hey guys i know zero about camera's but my gf wants one for her birthday. the one i was looking at is Canon Rebel XS 10.1MP Digital SLR Camera. opinions?
seeing that one is discontinued so looking at Canon EOS Rebel T3 Digital Camera and 18-55mm IS II Lens. |
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Sent from my SAMSUNG-SM-N900A using Tapatalk 4 |
Best entry combo, in my opinion, is either of the t2/3/4i's and a 50 1.8 lens. The cameras are plenty good enough for amateur photography and the 50 1.8 will open more doors to better developing camera control. Biggest plus is that these all can be picked up really inexpensive, making future upgrades/expenses easier to swallow!
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Oh yeah I forgot for Canons prime is the 50mm instead of the 35mm lol.
Sent from my SAMSUNG-SM-N900A using Tapatalk 4 |
Thanks for the info fellas. She's just wants to be able to take nicer photos. A complete beginner so just want to get something that would be pretty decent and could upgrade lenses in the future.
Choosing between the canon t3i or Nikon d3200 which is the better pick? I think I've narrowed it down to these. |
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If it were for me id be all over it but since it's a gift I'm going to buy new
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i prefer canon, either way you go, youll be fine. but go canon.
go canon. |
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I personally prefer Nikons. |
Lol well I found somewhere I could get identical price on those 2 cameras
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The good news is that both cameras are easy to learn on. Image wise, you can't tell the difference unless you know what to look for. They both have enough controls to be creative without overwhelming a new photographer with too many buttons. I personally like the feel and controls on Nikons, so I'd go with the D3200. Just flip a coin. You can't go wrong. By going DSLR over a point and shoot, you've already made the right decision. |
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Well I just bought the Nikon D7100 ..been thinking about getting rid of my old D90. Finally did it..
One thing I wanted to mention..a while ago some posters put up pics of their work and asked for critiques.. Now I have to tell you that I never considered myself a very good photographer but I did work in an ad agency and I was involved in buying photos and working with photographers so I did learn a lot about critiquing the work....not everything of course but a lot ...and I love to help new people by offering suggestions to them..Consider me like a food critic who cannot boil water and burns the toast at home! I was thinking that maybe some of the more seasoned shooters...and there are some great ones here..could offer help and suggestions to the younger folks..information on the technical side as well as critiques of their work. Anyone care to start such a "school" right here? |
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Went to the wildflower center earlier this week.
http://farm6.staticflickr.com/5484/1...331a8c5b_b.jpg Untitled by pandahouse, on Flickr |
Just my 2 cents on buying a camera: hold it and touch it. See how it feels and fits in your hand. I went Canon instead of Nikon totally based on how it fit my hand. Nikon grip was too small-didn't "feel" like it fit. Canon though-was just right. Both cameras and product lines are nice, fit was final decision maker for me.
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